Creative self-taught, fascinated by the power of the image,
REMS turned in 2004 to the spray paint on wall and has since explored an innovative and futuristic way of approaching the traditional Graffiti, doing Art all around the world during Graffiti & StreetArt Events and Exhibitions, and painting huge frescoes on all surfaces (walls, canvases, vehicles…)

Developing a precise and singular fluo universe, seeking a Futuristic and uninhibited Graffiti,
his work on wall is driven by his will to upset the codes of the Graffiti environment that at times feels introverted. To this end, Rems uses the infinite possibilities offered by the spray tool, to pushing away the technical limits and production sizes, or by the exploration of new processes of creation.

In 2008, Rems gathered nine French artists located in France, Montreal, London and Tokyo to create the Ghetto Farceur collective.
In order to defend their innovative and offbeat spirit by travelling around the world, together they produce huge frescoes, which are complete fusions of their surrealist and contrasted universe.

In early 2011, the concept “Handicapable” was born, which REMS experienced in search of renewal, mixing walls and canvas realizations in close collaboration with few artists. They imposed in their artworks certain constraints such as blind-painting, painting with left hand, and painting while bound to one another by a rope at their wrists, with a singular approach of the performance.

In 2012, the BEMS duo formed by the artists REMS and BIMS was contacted by Mercedes-Benz in order to create an artistic installation made up of car parts made available by the brand. Produced between Mougins and Monaco, the artwork “Un Pianiste au Volant” merges a Schousen upright piano from 1856 and the Mercedes-Benz brand, forming a lyrical, mechanical and unstructured RetroFuturist grand piano. 

From the Illustration to Abstraction, from Retro to Futurism, from Lines to Extrusions or between Paintings and Installations, in REMS work the structures and volumes stand out and get organized in a fluid and coherent set in its fluorescent madness.

Actually looking for new challenges after the “NOIRFLUO” Exhibition in Tokyo, curated by the artist Takashi Murakami in 2015, REMS is now implementing new Artworks in view of his next projects.